نویسنده
گروه باستان شناسی، دانشکده هنر و معماری، دانشگاه مازندران، بابلسر
چکیده
کلیدواژهها
عنوان مقاله [English]
نویسنده [English]
Music in all parts of the life of the natives of Mazandaran has a special place, and it is not so unpardonable if all of its cultural expressions are said to have been dealing with the element of music. But for the analysis and interpretation of this link, which has merged from the distant past to the present day as the links of a chain, it has been proposed to divide the division into «decomposition». If this categorization is based on certain criteria, it can also be helpful in identifying other indigenous cultural materials. Naturally, many of the cultural phenomena are in contrast to other cultures (either because of the migration of foreign peoples to this land or because of the arrival of the mainstream in the war), but of course many of the phenomena are, instead of the present, rooted in the distant past. In this paper, by presenting the theoretical and practical theoretical frameworks for the anthropology of indigenous music of Mazandaran, beyond the explanation of the musical life of the people of the region, it is necessary to open a way for archaeologists to use for the restoration of the human societies of the past, because perhaps from this perspective, Not paid attention. In order to obtain this result, the artistic and aesthetic aspects of native art are extracted and presented, and in the end it was concluded that by studying.
کلیدواژهها [English]
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